This would make a wonderful abstract shot, I told myself. Realizing the action would only last for a couple of minutes, quickly I started my composition. I wanted to include the hut, which I felt could provide a very good scale to the vastness of the fields. I avoided metering the brightest spot, instead I took readings on areas that were very close to middle gray. I fired many shots and stopped when the reflection has eventually vanished. All this took place within a couple of minutes.

When I processed the raw files, I was delighted to discover that the upper portion of the fields were actually bluish and the green fields which weren't quite prominent when I was composing the shot were a bonus; combining with the red reflection, what I have captured was a synchronization of colors, light and patterns.